Brendan I. Koerner breaks down the question, "Why do Dr. Dre's protégés always top the charts?" He's goes into the obvious explanations about Dre's beats being just so good, his perfectionist habits, and how he makes sure not to overextend his presence (can you think of any other beat he did in 2003 other than In the Club?).
But Koerner misses the most important factor in Dre's success. All of Dre's big production projects have been with artists who have compelling back stories. Out of all media, radio is probably the only format that even cares about the quality of music. Everywhere else- the video channels, magazines, and websites will boost you if you have a good story to sell.
Think about it. Snoop, Game, 50 Cent, and Eminem all have histories that are interesting enough to make movies out of. Actually, they are making movies about their lives! See, that's what's amazing about Dre. He doesn't just produce hits, he molds icons that the media (and through them, America) will love, or at least be fascinated by.
I THINK YOUR RIGHT. Also, if you look on Slim's, Obie, Gunit, 50, Game, DRE was exective producer, mixer and/or beat maker. Anything that has aftermath on it Dre has his hand in it.
Dre is the most fascinating producer ever his beats are perfect he made legends through the years en made himself as great as he is today, no one matches with him! "Aftermath bitch take it like a motherfucking man!!!!"
Dre is the most fascinating producer ever his beats are perfect he made legends through the years en made himself as great as he is today, no one matches with him! "Aftermath bitch take it like a motherfucking man!!!!"
It's just me from Belgiumb holla back biaaaaaaatch!!!!!!!!!!!!!!
i need some help finding all the dre cd's i know what the big ones are i just dont know all of the underground titles