SOHH ATLANTA
The daily pulse of the Atlanta hip-hop scene
The Down South Cat Fight, Where is Hip Hop Headed?
Posted on October 20, 2006 6:15 AM
First off, next week is shaping up to be a big week in the city with releases coming from Shareefa, Lil' Boosie and Gucci Mane's long-anticipated "Hard to Kill" album. I'm looking forward to each one of these albums. Even Boosie says that his album is real strong top to bottom (18 of 'em) with no reason to skip through any tracks.
Check in with me next week for my interviews with Shareefa and Lil Boosie.
BEEF!! Did anybody catch the "Queen of the South" battle between Trina, Jacki-O, and Khia. It went down on BET's "Beef: The Series" and it's developing into a nice little catfight. In case you missed it you know BET will run it some ALOT more though. It's like everybody wants a piece of Khia these days? I know she's from Florida but now in Atlanta so she's gotta hold it down. But you know what they say, "If you have people talking about then you must be doing something right."
This weekend, Tom Joyner and "The Skyshow" will be in town doing it up real big at The Atlanta Civic Center on Saturday, Oct. 21st at 8 p.m. Those performing include Cameo, JoJo (Mary Jane Girls), Switch and Kindred. Real heads might recognize some serious sampling that has been done in the game from all of these cats (except Kindred).
I really do try to be as objective as possible, despite what some might think. Yes sir, I love the south but I do try to look at things with a certain amount of obectivity when it comes to this thing called hip hop.
With that said, I have to admit that a great deal of the music coming out of all the regions is bordering on monotony. Real talk, I don't know if it's the beats, the lyrics or what? But the game needs a serious shot in the arm right now.
Are we stuck on punchlines too much? What happened to hip hop commentary on not just one song, but how about the whole album. It means NOTHING if you talk about Hurricane Katrinavictims on one song and the next 15 you're talking about moving bricks for guap. That's just real. The public is a smart public, believe it or not.
Do you remember when it was all good to pick up a Public Enemy, Hank Shocklee -produced disc and never know whether you would get "911 is a Joke," "Hollywood Burn," "Fight The Power" or "Welcome To The Terrordome"... even though the subject matter was different it was all relevant to the people listening. That awareness helped prevent us from being duped, and right now we're being duped as a country (played like a fucking piano as King Tee, Cube etc. would say) by you know who.
Sad part is, all the weight pushing and gloc totin' will make it easy for this flame we call rap to be stomped out when that time comes (there probably will come a time, don't know when -- but there will be an attempt made one day to shut this money maker down, too many cats eatin' ya feel)
But some of the negativity carries no weight. Yeah it's real life and it's what's happening in these streets but why advertise -- let the outsiders come figure out what's going on, why air out our dirty laundry for the world to hear.
And we wonder why we keep getting caught up. There used to be a time when trappin' was done on the low, now everybody want's to speak on it.
That's almost like getting on the field and yelling out, "Yo!!! We running a sweep to the left side!" And wondering why you got gang-tackled on the left side. Wake up, pimpin'!
My bad err'body I just felt like ventin' today...Must be the Tribe in the deck.
IN THE CHANGER...
FUCK THE SOUTH and for all y'all niggaz from the south saying New york niggas are washed up and old, you motherfuckers tell me
How old is Scarface?
Even Mike Jones who claim to be 24 in reality is 31.
How old is Bun B?
How old is Pimp C?
How old is Master P?
How old is Big boy & Dre 3000(OUTKAST)
and the list goes on and on muthafuckas
WTF is this shit how are they even considered celebs?
Trina, Jacki-O, and Khia three garbage rappers.
damn southern thats one of my all time favorite albums,that and the low end theory.it most def inspired outkast.
FUCK THE SOUTH and for all y'all niggaz from the south saying New york niggas are washed up and old, you motherfuckers tell me
How old is Scarface?
Even Mike Jones who claim to be 24 in reality is 31.
How old is Bun B?
How old is Pimp C?
How old is Master P?
How old is Big boy & Dre 3000(OUTKAST)
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Dumb ass hatin ass nigga. You don't have to like southern musik. You're entilted to your own choices and opinions. But obviously you don't really hate southern music. Cause you know how old mike jones is. If I hate someone I aint gonna know how old they are or claim to be.
Posted by: newyorkwillbeback at October 20, 2006 11:51 AM
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Nigga u must really be concerned if u on here hating. it's cool, u can come out and just admit ur favorite songs are all from the south. cause all they play in NY is southern music, "we fly high" and "chickin noodle soup".
All them bitches u mentioned are wack. no one would care if they all fell the the fuck off of earth.
and rap music is gettin really monotomus now. every rapper got the same hustlin, background. they all rap about the club, they shorty, they crack or they money.Regardless of which reason it comes out of, something needs to change.
i aint sayin everybody got to put on a backpack. cause in my opinion, alot of that shit is plain boring nomatter how nice on a mic they are. I just know that somewhere some youngsta is cookin up some musical crack that's gonna change the game.
The south is her to stay dude stop hating. As you can see we dont hate on any one down south we here to make music we respceted Jay-z, meth, and a few others but other than that there is really no one up there to listen to. So just accept the southern take over and it may come around to the east coast take over again, yall had yall turn so step aside. New York rappers are cool, but some not all SOME are haters because they record sales are garbage its proven thats not a opionion this is a fact baby a million + every album
I like that BEEF series on BET but they put some bullshit beef on that show.Naomi vs. Tyra? Bow Wow vs. Romeo? they really have to scramble for that show.
@ SOHH Southern:
I appreciate you writing this blog. I don't know if it was me that you were referring to that doesn't think that you are objective, but I did mention that about you before. i just thought that you could have been alot more critical on artist from your town. You even praised some artists that carry that monotonous style that you described.
All I ask is that you give us the real... good or bad. Because your comments can influence a general perception about the artist and increase/decrease album sales.
Btw... since we're on this subject, what are your real views about Snap music?
First of all this shit you all are doing is what the devil want you to do divide the black&brown nation.And this site is stirring the shit up you are worst than these asshole's that are leaving these comments 90% of the black race is from the south and as far as the music how can you be proud of trap music jeezy talks about crack yeah look at them BMF niggas they all lock up jeezy got out the game just in time because he knew them alphbet boys was coming.And as far as the NY they didn't fall off they gave the south some jobs who signed Jeezy,Rick Ross who co sign the chi Hov and he ain't shit either because all he talks about is drugs and he ain't sign a brooklyn mc yet so the whole industry is about some shit party and bullshit and drugs go get some knowledge of self.Peace to the Gods and Earths
newyorkwillbeback: u the prime example of a nigga that make us look bad...stfu. Real dudes here dont give a fuck bout the shit u typed. I was born and raised here, I dont know no one or met anyone that talks that much shit. I see your point but no one in here was talkin bout that shit so why bring that shit up?
On topic I dont know where Hip Hop is really headed. All I know is Im hoping we (the Hip Hop community) can come together and stop letting the industry pimp the shit out of us and our culture. We gotta stop making a mockery of ourselves and stop glorifying the very things that we hate being stereotyped for. I like this article man but on the topic of those 3 females...All of them are wack so whats the point of going back and forth? Hip Hop just gets wacker and wacker each week.
Newyorkwillbeback: and I do mean "nigga"....that's what you're acting like, a stereotype.
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November and December of this year looks like 2 good months for Hip Hop. No telling what next year will bring.
Hip Hop is kind of failing us all and the moment. The industry is taking us for a joy ride, and the only thing I keep hearing from people in the positions that can help make a difference...is that this is what PEOPLE want to hear. The people they are referring too, are the minority, that doesn't even buy albums, so why cater to them?? I'm not sure, whats going on exactly...but hip hop started to fail when people forgot about talent and base signings off our fake street cred...that always turns out to be a made up story to help sell records, that don't even sell anyway. Only one rap record went platinum this year?? I wonder why, hip hop is doing so horribly...hmmmm.
Look at NewYorkWillBeBack, puttin' tha South's dick all in his mouth...I'm a West Coast nigga and I hatin' on these fools, they gettin' that skrill. Do tha damn thang homiez! West Up!!
WHEN DID IT BECOME OK TO BE WAK AS LONG AS U MAKE MONEY? ONLY OTHER WAK FUX THAT HAVE NO TALENT SAY THAT, AND IT DOESNT MATTER WHERE AN ARTIST IS FROM AS LONG AS THEY MAKE GOOD MUSIC, BUT TODAY MUFUCKAZ THINK THEY HOT CUZ THEY FROM THE SOUTH, OR MOVED TO THE SOUTH, FUCK THAT! MAKE SOME GOOD MUSIC PLEASE! THE SOUTH HAS HOT ARTISTS -SCARFACE, OUTKAST, TI, EVEN LIL FLIP'S AAIIIGHT, BUT MOST OF THEM NEW KIDDS SUCK! YOUNG JEEZY WAK-YOUNG DRO WAK- YOUNG JOC WAK! YIN YANG WAK! ALL THAT SHIT SUXX! EAST COAST STILL GOT FIRE OUT THERE BUT THE ARTISTS SPITTIN REAL SHIT AINT GETTIN HEARD ON MAINSTREAM, BUT THEY NEVER REALLY DID, SAIGON FIRE! IMMORTAL TECHNIQUE FIRE! PAPOOSE FIRE! EVERYBODY STOP LETTIN MTV AND RADIO DICTATE WHATS HOT AND CHOOSE FOR YOURSELF! AND ALL MUSIC IS NOT MADE FOR THE FUCKIN CLUBS! SOME PEOPLE HAVE BRAINS AND RELATE TO REALITY!!!
I'll be looking out for that Lil Boosie album ....
I don't know where hiphop is going. But I do know that were all balck men and women in this game weather it be in the south, east or west. Whats killing the game is not the south is not the east's dramatic fall off or the west's fall off its the artist who have money to get on. People wake up and smell the coffee half these cats pay to get on pay to get on these mixtapes, internet sites and radio and you don't have to have talent. When was the last time you seen an article on this site SOHH.com about an upcoming rapper almost never its alwasy whats going on on the mixtapes and dvd's and those cats aren't talented they just pay and have the money to get on and their not talented. So at the end of the day the south is'nt killing hiphop the non-talented rappers with money who pay to get on and the dj's and websites that take their money and promote them are killing hiphop. END OF STORY!
Ultimately we forget that music is a platform. What bothers me is the falsehood that some artists choose to portray on their records. The truth of the matter is that there couldn't possibly be as many ex drug dealers as recent rap music has depicted. My problem is when artists begin to paint pictures of themselves that havent exsisted. If you grew up in a church home with two parents who had decent/good/great incomes them your music shouldnt depict an image of trapping all day to quiet the stomach rumblings. Our musical community has become infatuated wit selling records so much that they have not only compromised their own personal integrity but the have force fed a stereotype for an entire culture.
Once artists begin to realize that its okay to tlk about things that are truly pertinent to you in your personal life then the entire culture will thrive. Hip Hop wasn't built on selling dope and neither was the urban community. If you listen to older music from any genre it's great...simply because it is real and passionate...unfortunately the reason that only 1 hip hop album has gone platinum in '06 is b/c we have allowed our music to display a negativity that isnt entirely accurate. Even the great rappers who talk(ed) about selling drugs the enitre time, i.e. clipse, Jeezy, were creative and cthey continuously work at their craft.
People think Jay's new song is soft or not up to par...its beautiful music and its grown up...when i hear that song i wanna go and sweat a chick, regardless of my environment. He has continuously done what only one other current rap artist/group (Outkast...from the south, go figure!!!) has been able to do...transcend rap/hip hop across genres and over time!
"chickin noodle soup".
that song is sooo fuck'n stupid who ever that girl is need to sit her ass down with a soda on the side cuz she sound fuck'n stupid and the nigga on there 2..i would pick the vans song over that shit anyday..az long as the SOUTH (ATL) is out hip hop can go straight to HELL.. why because they get'n money 4 stupid shit thats not even worth listening 2..and the dum ass songs that they make only hot 4 about a week..i aint hatin on ATL but its a BIG JOKE..niggas get'n money over STUPID SHIT like i said then they wanna have the BET HIP HOP AWARDS in ATL why for WHAT thats not even a hip hop city that shit is POP RAP MUSIC..the real niggas from new york and cali gon b sitin there look at u STUPID niggas on stage rap'n yall STUPID ass songs do'n the fuck snap hahahaha dum shit..BET made a big mistake 4 real..plus these niggas gon get an awards for the stupid shit..then u got the SPECIAL EDD group that call themself D4L the dum niggas that dont know how to speak sound like they miss the whole elementary school and went straight to middle school..on stage dust'n off the bottom of their shoes if yall wanna call them rapper than be my guest..like i said i aint hatin on ATL i jus laugh cuz yall funny ass hell with yall POP RAP SONGS..and to EL UNO i feel u 100%
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You are entitled to like whatever u choose.But saying that some rap shouldn't be called hip hop b/c it's fun is dumb as hell. Do u reall believe that every rapper that claims to be srteet is really that way? Do u think that some rappers work hard promoting themselves to sign with major labels simply to NOT sell so that they can be considered 'real'. Grow up,this is a business & 'grown ups' have bills to pay. Yes your favorite rappers gotta eat too.
ATL, is a huge part of the monotony. unk, d4l, ying yang, franchize, crime mob, trillville, and young joc. ATL been puttin out some straight trash.
At least our trash artists sells more records than your striaght fire rappers! thats when you know your region is hot! and the people must be stupid for buying it right! dumb ass cry babies! i bet aint none of yall even buy that loyd banks album! i did and i liked it for what it is! but i bet yall didn't! and yall from his state! stupid ass NEW YORK CLOWNS!
you southern nigga downers
(mostley you east coast niggas) are realy starting to sound stupid as fuck, yall come on here day in and day out saying tha same shit about how the south aint got know talent and the south and got this and the south and got that blah blah blah blah, come tha fuck on. you muthafuckas is hateing point blank, every time yall say something about the south we can give you a legit explanation for and you come on heer the next day and say the same shit about the same subject. just like yall say atl and houston aint got no lyrist and we keep telling you theer are plenty lyrists besides the few thats out. but majors aint realy careing about picking up the real lyrissts the looking for the ones who sell. so when you turn on the tv and radios and see more garabge rappers from the south then good rappers you assume that all the south has down here is garbage . im not gonna argue with you know more if yall so damn smart up north like yall claim to be then yall would see that. instead yall just wanna come on here and hate on the whole south and talk down to us and shit like yall superior. nigga fuck yall and what yall think yall talked all the bullshit for years on every side that blew up now niggas done said fuck ya and yall cant take the heat. your opions means shit to use. we gon do what we do till we cant do it no more bottom line. so fuck what ya saying fuck what ya feel and fuck ya muthafucking whole dman life lil crying bitchs
thats why ya bitch ass niggas cant sell a record except for 50 or jay z
and i always respected the east i still do respect the east coast artist couse they aint realy complaining its you internet muthafuckas from the easts mostley so thats who im talking to
the southern nigga downers
oh yea, southerners put ya middle fingers in the sky to the southern nigga downers
Down south dudes run shit Texas real nigga for real i feel you!
All these black rappers better go to school and get an education. Rap/HipHop is about to fall off the face of the earth. Only TI went plat this year...don't blame it on downloads either...no one is interested in how a young nigga daddy was killed or locked up, how a young nigga mama was on crack and how a young nigga sold dope, moved packs,pushed weight (whateva niggas call it these days/Jeezy or Rick Ross might know)...nobody cares about a niggas drug runs,escapades anymore.
The entire black race is doomed. u know it and I know it.
White Man in the Carribean on Yachts living good but niggas proud of going to jail and getting felonies. That's a sign
If that "street cred" is not a sign, nothing is..
again: records sales will be even lower because a niggas life of drugs and murder doesn't matter anymore.
Come argue on my page.
http://groups.myspace.com/thearmyofcrunk
khia is a wack ass rapper. that need to get her ass beat
Fuck NY!!!!
Yall niggas ain't shit...hating ass bitches
It started wit rap music
went to trap music
now we got snap music
I'm bout to slap music
Really though, music is not that bad. People just aren't very original. I'm tired of bandwagon musicians. They hear something hot and piggyback off the movement instead of believing in their own sound. Drug rap is selling so everyone sells drugs. If I sold drugs I wouldn't tell nobody. These niggas tellin the world. Give me a break.
I'm from the Atl and i listen to New York Niggas(50, Jay-Z, Jada Kiss,) but the rest of those niggas are wack(the whole dipset crew, fat joe, pappose etc)
the south ass some wack nigga too.( ying yang twins, young joc) but TI,Outcast,Scarface, Lil keke, are hot
three 6 mafia is the kings, watch out for kinfolk kia shine, watch out for yo gotti, memphis is goin to take over believe it so fuck newyorkwillbeback cause it never will
how old is Jay-z?
how old is Nas?
how old is Busta Rhymes?
how old is P Diddy?
how old is Wu-Tang?
how old is DMX?
nicca get ya mind right!
NY is wack , Ny ARtist is starting to sound WACK .
NY LOST ITS HEAT , ANY HEAT YOU SEE ON THESE BLOGS IS SOME WASHED UP NY NIGGA SMOKING CRACK LISTENING TO BUSTA's WACK ALBUM.....
HOMIE YALL WASHED UP
ITS A DAMNN SHAME WHATS GOING DOWN IN THE RAP GAME THESE DAYS..IF NIGGAZ DONT REALIZE WE COONING, BUCK DANCING AND REPEATING THE SAMBO SHIT FROM SLAVE DAYS THEN WE'RE FUCKING DOOMED..DONT GET ME WRONG I LOVE THE SWAGGER OF THE SOUTH.. THEM NIGGAZ REMIND ME OF MY COUNTRY COUSINS BACK IN THE DAY WHEN THEY SAW US COME THRU LOOKING LIKE WE WAS FROM THE FUTURE -AKA FRESH TO DEATH NOW THEY GETTING THEIR TURN TO FLOSS AND ITS O.K. WE DONT HAVE A PROBLEM WITH THAT EVERYONE SHOULD FLOSS AND LEARN WHAT IT IS TO LIVE YOUR LIFE,BUT U NIGGAZ GOTTA STOP SHOWING YOUR TEETH TO THE WORLD , STOP PUSHING POISON TO YA FOLKS THEN GLORIFIYN THAT SHIT , STOP THROWING THESE SISTERS UNDER THE BUS..WHAT THE FUCK WENT WRONG DOWN THERE??? U NIGGAZ IS REALLY LOSING IT,U MEAN TO TELL ME AFTER 100'S OF YEARS OF NIGGAZ SWINGING FROM TREES GETTING BURNED ON WOODEN STAKES,U MEAN TO TELL ME U NIGGAZ DONT GOT NOTHING TO TALK ABOUT?? WORD, THE TRAP IS THAT SWEET?? AND U NIGGAZ IS FILLING JAILS UP AT ALARMIN RATES?? CMON SNAP OUT OF IT B4 ITS 2 LATE
im from the south and i think most southern rap sucks. but why dont they just do like the rock fans do have and seperate this shit into sub divisions like heavy metal and alternative. this whole descusion is getting old especially since that dumb ass song chicken noodle soup get air play... and for dude who said lil flip is aighht and young dro sucks along with young jeezy i thought the thing up north was lyrical content. im with half of yall though fuck the south and fuck all these damn coke raps damn its getting ridiculous for real. if everybody selling who in the hell using
its plenty of rappers in the game who rap about saleing dope in the south and the east and glorify gangasta shit so yall go and pull some more bull-shit out ya asses
I love all kinds of music, I am a fan of music. But there's is just some shit where you have to draw the line. Here's a couple Line's that I just can't vibe with:
Inside Peanut Butter Outside Jelly-Wack
This shit is an abomination to tha game get the fuck outta here.
Walk it out- Wack (Unk)
What Tha Fuck! Are you serious, This shit is huurible people. "Now Walk it out" Hell noooooooooo!
Shackin Laffy Taffy-Wack(D4L)
Worst song ever recorded in Raps history. The Worst, The absolute Worst
Flippin Cheese like Pan Cackka-Wack (Project Pat)
I don't understand this stupid shit, Should have saves the ink and the paper, Stupid mutha fucka.
Ya Boy Paul Wall really aint no music artist, that nigga exposed himself when he basically said he'll do a track with anybody for the right amount $, and then the nigga goes on to say he do a track with Pee wee herman for tha money, what a fuckin idiot. That goes to show this south nigga dont really give a fuck bout quality music, almost every line he spits he starts with "I'm posted up".
And J-nicks, oh boy. This dude has the nerve to come at Nas,oh boy, who really knew this nigga was alive before sohh posted that video.
The songs that these dudes is putting out is strictly Garbage. It needs to stop, and fuck album sales it don't mean shit. If the nigga is trash, then he's trash weather he sales 1 or 1 million. Ain't no body mad at the south. But ya'll niggas is gettin to cocky, chill the fuck out. And it's not all down south rappers because Luda, Jeezy, Wanye, Scarface, Slim, Outkast, Rick, T.I, Is heavy in the game.
Niggas can't smash NY because they hit a drought, come on. If them south artist didn't convert their styles to new york styles then they wouldn't have went platium. T.I. Switched his style a little, I remember when he dropped the single "Money Rolls" That song was weak as hell compared to his shit he drops know "Live in the Sky", "What you Know". That doesnt sound like south music to me playas. It sounds like NY Music people, Jeezy Style is NY too That's why he hot. I dont' ever consider outkast down south there music is on a whole nother level. Ludacris is a great example Pure south but the south at it best.
Most of the south is getting by off club music, what happens when that shit fades out, It's Bye bye baby.
Down south what it dew
myspace.com/ninohnewjack myspace.com/ninohnewjack
I aint a hater I like southern hip hop its cool to listen to nice songs but all the nice songs I hear are bullshit when u really listen to them.
Why you niggas on here hatin if you dont like south music why you on "sohh Atlanta", shit is stupid to me. If you like the south shit buy it, play it or whatever if you dont then dont. If it aint yo thang it aint yo thang, obviously some people like that shit or we wouldnt be here. I personally fuck with music from the south north and west but some shit I dont like. Thats just me some niggas feel like if it aint the most lyrical shit in the world they cant fuck it.If that aint you then cool, but dont hate cuz D4l,unk ying yang etc gettin they money, hatin ass niggas go get you some
This has got to be the wackest beef in hip hop history.All 3 of these bitches ain't shit.No body is lokking for them.Trina is a has been trying to get shine by being with Wayne.Khia is a one hit wonder.Her first album did well but her new one has sold less than 10,000 copies so she's done.And Jackie-o is literally nothing.I can't believe the Beef series gave mention to these bitches.They all crying about being Queen of the South.If they're the queens,thats sad for the south.And last fuck all this King and Queen talk.Y'all would be an embarassment to real royalty.I blame T.I. for this shit.It is so fucking redundant that everyone claims to be king or queen of whereever.None of those bitches r queens,their more like the stable hags that r only good for one thing.Get Fucked.
Fuck the King and Queen bullshit.It is so fucking redundant that everyone claims it now.These bitches r living in some fantasy world.All three of these hoes talk about nothing but sex and material thing and their supposed to be considered royalty? They r a fucking disgrace to women everywhere.No one is even looking to buy their albums how can they be roylty.Fucking pathetic,attntion hungry bitches.and fuck T.I. for starting this King/Queen shit.If it wasn't for U(Someone who doesn't deserve the name himself)All these mediocre fucks wouldn't be claiming this shit.
BEEF!! Did anybody catch the "Queen of the South" battle between Trina, Jacki-O, and Khia. It went down on BET's "Beef: The Series" and it's developing into a nice little catfight. In case you missed it you know BET will run it some ALOT more though. It's like everybody wants a piece of Khia these days? I know she's from Florida but now in Atlanta so she's gotta hold it down. But you know what they say, "If you have people talking about then you must be doing something right."
Fuck Catfight Fuck
Fuck Chick Fuck
Fuck Bitch Fuck
Fuck Faggot Fuck
Fuck Woman ass Fuck
To all the NY haters. Just remember it's the NY old artist who keep commercial interest and endorsement money coming in for artists. Remove NY from the equation and artist become limited to sales and touring again for income.
These outside sources of income are what make rap lucrative. Does anyone really believe this is about quality of music? Rap is one giant marketing tool. Jay-Z didn't come out of retirement to sell records he did it to make money endorsing Budweiser and HP computers BUT he wouldn't have gotten that opp if retired. That's the real reason old dudes won't stop. As long as they're in the game the can get pimped and they gladly volunteer for the right price.
This isn't a culture. This is a battle to be the spokesmen of Big Biz so you fools can argue about regions and record sales all you want... You just don't get it.
Lets face it! Lets be for real niggaz! Southern rap music sucks! Period! The shit is a fucking embarassment to any young black male out here having to deal with stereotypes. White people used to be afraid of us! Now they are fucking catching on to slang and laughing at our asses! Southern niggaz are fucking marons! They fucked up the game with all these fat-ass big booty hoes in the videos, all these old-ass wack-ass piece of shit cars, and them weak-ass grillz they be frontin' with. THE SOUTH IS DESTROYING HIPHOP WITH SING-A-LONG BULLSHIT!!!!
ASAD ANWAR ALLAH
THE SOUTH IS DESTROYING HIPHOP WITH SING-A-LONG BULLSHIT!!!!
Posted by: saddamnyouall at October 23, 2006 01:20 AM
UHHHH?? I GUESS BIZ MARKIE & GREG NICE ALMOST DESTROYED HIP HOP TOO HUH?? STOP HATING & GROW UP. THIS IS A BUSINESS. EVEN THE BEST MC's GOTTA EAT. REMEMBER,DISSING THE SOUTH WON'T MAKE NY PEOPLE GO OUT AND SUPPORT THEIR FAVORITE NY ARTISTS ANY FASTER, ASK GHOSTFACE & BUSTA.
REMEMBER RAPPING DUKE , DA HA DA HA?
Lets face it! Lets be for real niggaz! Southern rap music sucks! Period! The shit is a fucking embarassment to any young black male out here having to deal with stereotypes. White people used to be afraid of us! Now they are fucking catching on to slang and laughing at our asses! Southern niggaz are fucking marons! They fucked up the game with all these fat-ass big booty hoes in the videos, all these old-ass wack-ass piece of shit cars, and them weak-ass grillz they be frontin' with. THE SOUTH IS DESTROYING HIPHOP WITH SING-A-LONG BULLSHIT!!!!
ASAD ANWAR ALLAH
Posted by: saddamnyouall at October 23, 2006 01:20 AM
you are dumn as fuck. fa real you should slap tha shit out ya self for that dumn ass shit you said
evry thing you just said is comeplete bullhit point blank
to texas real nigga
HAHAHAHA SHUT CHO BITCH ASS NIGGA U CRY'N RIGHT NOW DRY YO FUCK'N EYES HAHAHAHAHA U YALL SOUTH FUCK'S TAKING THIS SHIT 2 THE HEAD..YALL BLOOD IS RISING HIGH CUM THE FUCK DOWN HAHAHAHAHA (FUCK THE SOUTH NO HATE N THAT)
CUM ON B4 YALL TALK ABOUT NEW YORK LOOK AT YALL SELF FIRST..LOOK HOW YALL DRESS I SEE WHY THEYCALL IT THE DIRTY SOUTH CUZ YALL MUTHA FUCK'S DIRTY AINT GOT NO GEAR HAHAHAHA NEW YORK GOT IT ALL YALL BITCHES OUT THERE LOOK LIKE STRAIT UP BALD HEAD CRACK HEADS WITH THAT OLD SHIT YALL B ROCK'N..CANT DOWN NEW YORK CUZ WE STAY FLY FRESH 2 DEATH EVEN THE NIGGAS AND FEMALE FROM THE PROJECTS OVA YALL..WAIT WAIT WAIT THIS MESSAGE IS ONLY 4 ATL LOOK AT CHA SELF FIRST THEN TALK N TO THAT NIGGA TEXAS WHERE YALL RAPPERS AT THEM NIGGAS WAS ONLY HOT 4 A MIN WHERE MIKE JONES, SLIM THUG, LIL FLIP, O AND B4 I LEAVE I JUS WANNA SAY WHY YALL GETIN ALL HYFE OF THIS SHIT JUS KNO DONT NO RAPPER FRON THE EAST-WEST R DOWN SOUTH GIVE A FUCK ABOUT YALL THEY NOT ON HERE READ'N THIS SHIT..THEY ON A FUCK'N ISLAND GET'N DRUNK AND SHIT WHILE YALL MUTHA FUCK'S ON HERE ABOUT TO HAVE A FUCK'N HEART ATTACK HAHAHA PEACE OUT BEYOTCH HAHAHAHAHAHAHA IM GONE
O AND BY THE WAY TRINA KHIA AND
JACKI-O THEY SUM WACK ASS DOWN SOUTH BITCHES THAT SUCK..NOW ONE OF THEM HOES CANT FUCK WITH REMY MA, LIL KIM OR FOXY BROWN SOME EAST COAST GUTTA BITCHES
Hip Hop isn't dead he's just coked out...
TOP TEN HIP-HOP PROBLEMS
10. Materialistic driven bullshit songs.
9. No talent niggas getting all the radio play with cabbage patch catchy songs.
8. Willie lynch syndrome. Divide and conquer.
7. Niggas not getting their own style.
6. Too much sloppy rhyming.
5. Niggas thinking their hot and expect to get love, but in reality their corny.
4. RIMS and CANDY PAINT. Been there, can we move on.
3. Niggas saying hip hop dead cause their shit ain't selling.
2. New York failing to realize that they no longer run hip hop. The game has migrated. Just cause your from New York don't mean you can't be corny.
1. BIG, Pac, Pun, and Easy not here to set the standards.
o.k can i PLEASE ask yall a question how OLD is SHAWN "JAY-Z" CARTER cuz every since he got with BEYONCE the media been saying that he is 36 this nigga been with BEYONCE for about 4-5 YEARS and they stll saying that this nigga is 36 LOL dam did he reach 40 yet cuz it sure n the HELL LOOK LIKE IT
im sorry i had 2 post this again but ya girl jus gotta know
can somebody PLEASE tell me
You missing the fact NY NIGGAZ. SOUTH MUSIC IS CLUB MUSIC .AS SOON AS YOU REALIZE THAT YOU MY WASHUPS! YOU WILL START MAKING MONEY .ALL THE HATE ON THE SOUTH IS WHY YALL AINT SELLING SHIT!!
SOUTH MUSIC CAN BE PUT IN A CLUB Dont sleep on Jackie O!
And Khia well guess what that "Neck my back" shit sold like 8mil Worldwide so hate on the bitch but she is still eating off that....................
Regardless 50Cent killed hiphop so the rest of you wack Ny Niggaz with the exception of my Nigga Joey Crack and D-BLock Might as well jump in the Hudson,with Ya non selling Albums............
Bye-Bye ( as he floats to the bottom)
OH P.S. ROTTEN APPLE sold 50,888 Copies so FAR!!!
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
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WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
WELCOME TO THE SOUTH
WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
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WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
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WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
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WELCOME TO THE MINSTREL SHOW, CABBAGE PATCH
What the fuck is a Minstrel show, WHat the fuck is Cabbage patch??????????????????
I know the meaning , But why are you posting it ....
YOU ARE A CRACK HEAD ! What a DIRTY AZZ CRACK HEAD NY CAT.
BLAQ I swear to GOd you are wack and any Iddiot that co-signs you or your mother.
WHy EVERY BODY IN NEWYORK STILL DRESS LIKE ITS 1994 . THAT BAGGY SHT IS PLAYED Out.( I dont think he got the post card) TALKING BOUT NEW YORKERS GOT BETTER GEAR . DAWgz That SHt is PLAYED OUT.
I CANT BELIEVE Yall spend 100.00 on a SHirt But GOt no CAr!! or Crib ! Most yall niggaz stay with ya Moms ,HAHAHAHA!!!!!!!!!!
Wearing the Same style of Gear for the last 16 years. And you wonder Why NY Style is DEAD!!!!!!!
Why I Gave Up On Hip-Hop (Washington Post)
By Lonnae O'Neal Parker
Sunday, October 15, 2006; Page B01
My 12-year-old daughter, Sydney, and I were in the car not long ago when she turned the radio to a popular urban contemporary station. An unapproved station. A station that might play rap music. "No way, Syd, you know better," I said, so Sydney changed the station, then pouted.
"Mommy, can I just say something?" she asked. "You think every time you hear a black guy's voice it's automatically going to be something bad. Are you against hip-hop?"
Her words slapped me in the face. In a sense, she was right. I haven't listened to radio hip-hop for years. I have no clue who is topping the charts and I can't name a single rap song in play.
But I swear it hasn't always been that way.
My daughter can't know that hip-hop and I have loved harder and fallen out further than I have with any man I've ever known.
That my decision to end our love affair had come only after years of disappointment and punishing abuse. After I could no longer nod my head to the misogyny or keep time to the vapid materialism of another rap song. After I could no longer sacrifice my self-esteem or that of my two daughters on an altar of dope beats and tight rhymes.
No, darling, I'm not anti-hip-hop, I told her. And it's true, I still love hip-hop. It's just that our relationship has gotten very complicated.
When those of us who grew up with rap saw signs that it was turning ugly, we turned away. We premised our denial on a sort of good-black-girl exceptionalism: They came for the skeezers but I didn't speak up because I'm no skeezer, they came for the freaks, but I said nothing because I'm not a freak. They came for the bitches and the hos and the tricks. And by the time we realized they were talking about bitches from 8 to 80, our daughters and our mommas and their own damn mommas, rap music had earned the imprimatur of MTV and Martha Stewart and even the Pillsbury Doughboy.
And sometimes it can seem like now, there is nobody left who is willing to speak up.
I remember the day hip-hop found me. The year was 1979 and although "Rapper's Delight" wasn't the first rap song, it was the first rap song to make it all the way from the South Bronx to Hazel Crest, Ill.
I was 12, the same age my oldest daughter is now, when hip-hop began to shape my politics and perceptions and aesthetics. It gave me a meter for my thoughts and bent my mind toward metaphor and rhyme. I couldn't sing a lick, but didn't hip-hop give me the beginnings of a voice. About the time that rap music hit Hazel Crest, all the black kids sat in the front of my school bus, all the white kids sat in back, and the loudest of each often argued about what we were going to listen to on the bus radio or boombox. Music was code for turf and race in the middle-class, mostly-white-but-heading-black suburbs south of Chicago.
One day, our bus driver tried to defuse tensions by disallowing both. Left without music, some of the black kids started singing "Rapper's Delight." Within a couple of lines, we all joined in:
Now what you hear is not a test
I'm rappin' to the beat.
Then the white kids started chanting: Dis-co sucks, dis-co sucks, dis-co sucks, dis-co sucks , repeating the white-backlash, anti-rap mantra of the era.
The white kids got louder: DIS-CO SUCKS, DIS-CO SUCKS, DIS-CO SUCKS, DIS-CO SUCKS.
So we got louder, too:
YA SEE, I AM WONDER MIKE AND I LIKE TO SAY HELLO
TO THE BLACK, TO THE WHITE, THE RED AND THE BROWN
THE PURPLE AND YELLOW.
Then the white kids started yelling until their faces suffused with color.
And so we started yelling rhymes that I still know to this day, some of which my kids know and, I bet, so do some of the kids of those white kids who screamed at us from the back of my junior high school bus, raging against change, raging against black people, or, who knows, maybe just not appreciating our musical stylings.
SO I RAPPED TO THE BEAT LIKE I NEVER DID BEFORE.
We rhymed and the white kids disappeared before our eyes because we were in another world -- transported by the collective sound of our own raised voices, transfixed by our newfound ability to drown out their nullification.
We felt ourselves united, with the power of a language we didn't begin to understand. "Rap at its best can refashion the world -- or at least the way we see it -- and shape it in our own image," said Adam Bradley, a literature professor at Claremont McKenna College who is working on a book about hip-hop poetics. It has the capacity "to give a voice that's distinctively our own and to do it with the kind of confidence and force we might not otherwise have."
I grew older, and my love affair with the music, swagger and semiotics of hip-hop continued. There was Kurtis Blow, Melle Mel and the seminal Grandmaster Flash and the Furious Five:
Don't push me 'cause I'm close to the edge
I'm tryin' not to lose my head.
I learned all the rhymes played on black radio, because do you remember when MTV wouldn't touch black music at all? I got to college and started getting my beats underground, which is where I stayed to find my hip-hop treasures. Public Enemy rapped "Fight the Power" and it could have been the soundtrack to CNN footage of Tiananmen Square or the fall of the Berlin Wall:
Got to give us what we want
Gotta give us what we need
Our freedom of speech is freedom or death
We got to fight the powers that be.
I was young and hungry and hip-hop was smart, and like Neneh Cherry said, we were raw like sushi back then, sensing we were onto something big, not realizing how easily it could get away from us.
* * *
Of course, the rhymes were sexy, too, part of a long black tradition starting with the post-emancipation blues. It was music that borrowed empathy and passion from exultations of the sacred, to try to score a bit of heaven in secular places.
It was college, and in the late 1980s and early 1990s, the post-civil rights, post-sexual revolution, newly grown hip-hop generation imagined that we had shed our momma's chastity-equals-black-uplift strictures anyway. So when MC Lyte rapped, "I ain't afraid of the sweat," well, you know, we waved our hands in the air. Besides, it was underground music, adult music, part of a wide range of expression, and it's not like we worried that it could ever show up on the radio.
Hip-hop was still largely about the break-beat and dance moves and brothers who battled solely on wax. It was Whodini, Eric B. & Rakim, Dana Dane, EPMD, A Tribe Called Quest. And always and forever, Lonnae Loves Cool James. I knew all LL Cool J's b-sides and used to sleep under a poster of him that hung on my wall. I still have a picture of the two of us that was taken one Howard homecoming weekend.
And if, gradually, we noticed a trend, more violence, more misogyny, more materialism, more hostile sexual stereotyping, a general constricting of subject matter, for a very long time we let it slide.
In 1988, EPMD rapped about a woman named Jane:
So PMD (Yo?) Why don't you do me a favor?
Chill with the bitch and I'll hook you up later
She's fly, haircut like Anita Baker
Looked up and down and said "Hmm, I'll take her."
But by last spring, it was Atlanta-based rapper T.I.:
I ain't hangin' with my niggaz
Pullin' no triggaz
I'll be back to the trap, but for now
I'm chillin' with my bitch today, I'm chillin' with my bitch today.
Nearly 20 years later and T.I. can't even be bothered to give his "bitch" a name.
We were so happy black men were speaking their truth, "we've gone too long without challenging them," as Danyel Smith, former editor of Vibe magazine, put it. And now, perhaps, hip-hop is too far gone.
* * *
At the 2003 MTV Video Music Awards, rappers Snoop Doggy Dog and 50 Cent embellished their performance of the song "P.I.M.P." by featuring black women on leashes being walked onstage. This past August, MTV2 aired an episode of the cartoon "Where My Dogs At," which had Snoop again leading two black bikini-clad women around on leashes. They squatted on their hands and knees, scratched themselves and defecated.
The president of the network, a black woman, defended this as satire.
Hip-hop had long since gone mainstream and commercial. It was Diddy, white linen suits and Cristal champagne in the Hamptons. And it was for white suburban boys as well as black club kids. And it now promoted a sexual aesthetic, a certain body type, a certain look. Southern rappers had even popularized a kind of strip-club rap making black women indistinguishable from strippers.
I don't know the day things changed for me. When the music began to seem so obviously divorced from any truth and, just as unforgivably, devoid of most creativity. I don't know when my love turned to contempt and my contempt to fury. Maybe it happened as my children got older and I longed for music that would speak to them the way hip-hop had once spoken to me.
Maybe as the coolest black boys kept getting shot on the streets while the coolest rappers droned: AK-47 now nigga, stop that.
Maybe as the madness made me want to holler back: "Niggas" can't stop AK-47s , and damn you for saying so.
Last year, talk show host Kelly Ripa gushed to 50 Cent, a former drug dealer turned rapper, about how important his movie "Get Rich or Die Tryin' " was while black women around the country were left to explain to their own black sons, " Sometimes, darling, black boys get shot nine times and they don't live to brag about it on the mike . "
And a few weeks ago, watching the Disney Channel cartoon short "Fabulizer," I seethed when the little white character lamented that his "thug pose" wasn't working.
While the mainstream culture celebrates the pimped-out, thugged-up, cool-by-proxy mirage of commercial rap, those of us who just love black people have to be a little more discriminating. "Sometimes," writes sociologist Mary Pattillo-McCoy, "when you dress like a gangsta, talk like a gangsta and rap like a gangsta often enough, you are a gangsta."
My husband, Ralph, and I try to tell Sydney that rap music used to be fun. It used to call girls by prettier names. We were ladies and cuties, honeys and hotties, and we all just felt like one nation under the groove. Sydney, I tell her, I want you to have all the creativity, all the bite, all the rhythms of black rhyme, but I can't let you internalize toxic messages, no matter how cool some millionaire black rappers tell you they are.
Sydney nods, but I don't know if she fully understands.
* * *
I was born to be the Lyte
To give the spark in the dark
Spread the truth to the youth
The ghetto Joan of Arc
-- MC Lyte
Last spring, I got together with some other moms from the first generation of hip-hop. We decided to distribute free T-shirts with words that counter some of the most violent, anti-intellectual and degrading cultural messages: You look better without the bullet holes. Put the guns down. Or my favorite: You want this? Graduate! We called it the Hip-Hop Love Project.
Others are trying their own versions of taking back the music. In Baltimore, spoken-word poet Tonya Maria Matthews, aka JaHipster, is launching her own "Groove Squad." The idea is to get together a couple dozen women to go to clubs prepared to walk off the dance floor en masse if the music is openly offensive or derogatory. "There's no party without sisters on the dance floor," she told me. In New York, hip-hop DJ and former model Beverly Bond formed Black Girls Rock! to try to change the portrayal of black women in the music and influence the women who are complicit in it. "We don't want to be hypersexualized," said Joan Morgan, a hip-hop writer and part of the group, but we don't want to be erased, either.
Finally, it feels like we've gotten back to what black women are supposed to have always known: that it is better to fight than to lie down.
My daughter says I don't like black voices and I could weep that it's come to this. But instead I listen to the most conscious hip-hop that comes my way: Common, Talib Kweli, the Roots, KOS, Kanye West, who blends the commercial with commentary. I close my eyes to listen as Mos Def says:
My Umi said shine your light on the world.
And still, always and forever, Lonnae Loves Cool James.
I keep my CD player filled with old-school tracks and I fill my kids' heads with the coolest, most conscious, most bang-bang the boogie say up jump the boogie songs from when hip-hop and I were young. Sydney says I don't like black voices and I say: Ax Butta how I zone/ Man, Cleopatra Jones .
I make Sydney listen to songs from when rap said something, but my daughter is 12 and she laughs at me. Rap says something now, Mommy, she says.
Lean wit' it
Rock wit' it
Lean wit' it
Rock wit' it
She snaps her fingers and I just nod. Change is gonna come. Meanwhile, her song is catchy. And there are no bitches!
At least not in the chorus.
oneall@washpost.com
Lonnae O'Neal Parker, a Washington Post staff writer, is author of "I'm Every Woman: Remixed Stories of Marriage, Motherhood and Work" (Amistad/Harper
Collins), out in paperback this month.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
EVERy you just said went in one ear and Out the Other !!!! SHUT THE FUCK UP!
u gotta understand that the problem with hip-hop is on a much higher level than just the rapper. the people at the heads of the industry dont want your kids listening to "GOOD" music of any kind. media is control! Scientists found out that music has a certain effect on your DNA. this partly explains what gave rise to the black power movements of the '60s and '70s, and the hip hop of the '80s and '90s. They cant afford to have people listening to music that will inspire them to march to the white house with machine guns as the music and tv (flavor of love)gets dumber, the people get dumber along with it. the dumber the people, the easier it is for the government to control you. there are people in the industry who are secretly planted there by the NSA (National Security Agency)to monitor what you see and hear. not to mention the mafia has significant control. all they care about is making money for their bosses.
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Listen to Lil' Boosie songs.
The south sucks one of you dumb non graduating niggaz tell me something!!!Ya'll rhyme like the average 8 year old from NY!!!!!
South imperial shut your stupid ass up . Southern cats still suffer from slave mentality. Thats why they have no hardcore rappers down here.
The south is garbage, they are so dam stupid and have no education, the bitches down their look good but most southern bitches have stank ass pussy
and southern niggas can barely speak they own name in the correct form, Baltimore, Chicago are a bought to be the new hip hop capitals and thanks to The Game LA is making a comeback, and with Jay Z returning NY is making a comeback that southern crunk shit will die and it should be made illegal to ever resurface. SO FUCK THE SOUTH>
first of all i dont give a shit were you come from and how you attempt to rap but right now all im hearing is you southern bithcez not taking the truth,your music is fuckin terrible,you guys cant spit rhymes,every song is the same pretty much, just admit it,its not hip hip,if you want to listen to real hip hop go buy some blackstar,hiero,j5,even canadian artist are showing up southern shit like classified,k os,dl incognito im not trying to make all the artist up north artist but i cant think of any good southern artist that are still realesing singles.just one last thing is you might be hauling in a fuck load of money but you wont see these shit go down in history like ,a tribe called quest,bdp,nwa,pac,scarface .etc
I just read this whole thread and some of you idiots are either retarded or you're just here to get a rise out of other posters.
How can some of you be so intolerant of other styles... especially with something as multifaceted as Hip Hop?
Hip Hop isn't just lyrics...
Hip Hop isn't just beats...
Hip Hop isn't just East, West, or South...
We all have some songs we love, like, and hate, and otherwise. The fact of the matter is that Hip Hop is a little bit of all of this whether you like it or not! Whether you get it or not! Whether you accept it or not!
I'm also tired of the same regurutated stereotypes and also feel Hip Hop could use a shot in the arm of original subject matter... the drugs, guns, and bling have been reguratated enough.
Most of the music, not all but most of the music coming out the south is TRASH!!! Most of yall who support this music will be like WTF was I thinking in about five years. Quality southern rappers Missy, Outkast, Luda and TI, and certain Trick Daddy songs. 96% of southern music is a joke, and really bad joke. I stopped laughing years ago.
Broken glass everywhere
People pissing on the stairs, you know they just
Dont care
I cant take the smell, I cant take the noise
Got no money to move out, I guess I got no choice
Rats in the front room, roaches in the back
Junkies in the alley with a baseball bat
I tried to get away, but I couldnt get far
Cause the man with the tow-truck repossessed my car
Chorus:
Dont push me, cause Im close to the edge
Im trying not to loose my head
Its like a jungle sometimes, it makes me wonder
How I keep from going under
Standing on the front stoop, hangin out the window
Watching all the cars go by, roaring as the breezes
Blow
Crazy lady, livin in a bag
Eating out of garbage piles, used to be a fag-hag
Search and test a tango, skips the life and then go
To search a prince to see the last of senses
Down at the peepshow, watching all the creeps
So she can tell the stories to the girls back home
She went to the city and got so so so ditty
She had to get a pimp, she couldnt make it on her
Own
Chorus:
Its like a jungle sometimes, it makes me wonder
How I keep from goin under
My brothers doing fast on my mothers t.v.
Says she watches to much, is just not healthy
All my children in the daytime, dallas at night
Cant even see the game or the sugar ray fight
Bill collectors they ring my phone
And scare my wife when Im not home
Got a bum education, double-digit inflation
Cant take the train to the job, theres a strike
At the station
Me on king kong standin on my back
Cant stop to turn around, broke my sacroiliac
Midrange, migraine, cancered membrane
Sometimes I think Im going insane, I swear I might
Hijack a plane!
Chorus:
My son said daddy I dont wanna go to school
Cause the teachers a jerk, he must think Im a
Fool
And all the kids smoke reefer, I think itd be
Cheaper
If I just got a job, learned to be a street sweeper
I dance to the beat, shuffle my feet
Wear a shirt and tie and run with the creeps
Cause its all about money, aint a damn thing
Funny
You got to have a con in this land of milk and
Honey
They push that girl in front of a train
Took her to a doctor, sowed the arm on again
Stabbed that man, right in his heart
Gave him a transplant before a brand new start
I cant walk through the park, cause its crazy
After the dark
Keep my hand on the gun, cause they got me on the
Run
I feel like an outlaw, broke my last fast jaw
Hear them say you want some more, livin on a
Seesaw
Chorus:
A child was born, with no state of mind
Blind to the ways of mankind
God is smiling on you but hes frowning too
Cause only God knows what you go through
You grow in the ghetto, living second rate
And your eyes will sing a song of deep hate
The places you play and where you stay
Looks like one great big alley way
Youll admire all the number book takers
Thugs, pimps, pushers and the big money makers
Driving big cars, spending twenties and tens
And you wanna grow up to be just like them
Smugglers, scrambles, burglars, gamblers
Pickpockets, peddlers and even pan-handlers
You say Im cool, Im no fool
But then you wind up dropping out of high school
Now youre unemployed, all null n void
Walking around like youre pretty boy floyd
Turned stickup kid, look what you done did
Got send up for a eight year bid
Now your man is took and youre a may tag
Spend the next two years as an undercover fag
Being used and abused, and served like hell
Till one day you was find hung dead in a cell
It was plain to see that your life was lost
You was cold and your body swung back and forth
But now your eyes sing the sad sad song
Of how you lived so fast and died so young
I was 2 months old when this song came out and I'm still listening to it 25 years later, how many of you guys are going to be listening to the rubbish coming out of the south in 25 years????
o hell no
Fuck NY!!!!
Yall niggas ain't shit...hating ass bitches
Fuck you right back you COUNTRY bumpkin inbread farm ass silly bitch! Yo, arent you supposed to be on Jerry Springer this week with the rest of your trailer park family???? What is it like being married to your sister????
Fuck you right back you COUNTRY bumpkin inbread ass hillbilly slow talkin goofy ass farm hick nigga!!! Yo, arent you supposed to be on Jerry Springer this week???
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